AUTHOR'S NOTE

Príncipe displays a forgotten generation. A city on the edge of an international rehabilitation.

In the film, a principle of monotony surrounds the main character, João, who travels around a immobilized romance. The desire to “escape” fills the collective subconscious of his generation; in context, the relationships he establishes become fragments of a volatile way of thinking.

Between exploratory spaces, the character confronts his most illicit movements, in a region bounded by invisible borders. On the threshold of its objectives, the geography of the space, in analogy to the characters, is in constant change; uncompromised from the virtuous extension of definite time: time as a matter of abstract and uncompromising sensations.

AUTHOR'S NOTE

The short film comes as a farewell letter to an inevitable separation. The youthful movement of a country without a decisive future proves a collective thought of constant euphoria. The personality added to the narrative fable lives within the subjects associated with the city and the respective geographic education that has accompanied me since I was born. This one, which saw me grow within its spatial limits, invokes, by innocuous characteristics, the constant reference to the dream.

AUTHOR'S NOTE

Esta, que me viu crescer dentro dos seus limites espaciais, invoca, por características inócuas, a constante referência ao sonho. Um sonho de fuga, para um local que se associa à subjetividade emocional de uma geração inquieta.

AUTHOR'S NOTE

In protest, the indefinition of time, affiliated with desire, accompanies all the characters. This fragment of visual matter, like the other features of the argument, can be interpreted on multiple issues posed in the aforementioned conflict. The main figure who, in contention, evades the idea of permanence, finds in the heart of urban space a focus of immobilized love. The constant feeling of rebellion that accompanies the sexual relationship of the two male characters is observation material about this fleeting thought.